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<title><![CDATA[Technologies of War, Media, and Dissent in the Post 9/11 Work of Krzysztof Wodiczko]]></title>
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<description><![CDATA[Dora Apel<br />Jun  1, 2008; 31:261-280<br />Articles]]></description>
<dc:creator>Dora Apel</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Technologies of War, Media, and Dissent in the Post 9/11 Work of Krzysztof Wodiczko]]></dc:title>
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<title><![CDATA[Jutta Held (1933-2007) * Titian's Flaying of Marsyas: an Analysis of the Analyses]]></title>
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<description><![CDATA[Jutta Held<br />Jun  1, 2008; 31:179-194<br />Articles]]></description>
<dc:creator>Jutta Held</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Jutta Held (1933-2007) * Titian's Flaying of Marsyas: an Analysis of the Analyses]]></dc:title>
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<title><![CDATA[Brazen Cheek: Face-Painters in Late Eighteenth-Century England]]></title>
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<dc:creator>Caroline Palmer</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Brazen Cheek: Face-Painters in Late Eighteenth-Century England]]></dc:title>
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<title><![CDATA[Modernist Poussin]]></title>
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<description><![CDATA[James A. van Dyke<br />Jun  1, 2008; 31:285-292<br />Reviews]]></description>
<dc:creator>James A. van Dyke</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Modernist Poussin]]></dc:title>
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<title><![CDATA[A Negative Dialectics of the Arts]]></title>
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<description><![CDATA[Alex Vasudevan<br />Jun  1, 2008; 31:300-304<br />Reviews]]></description>
<dc:creator>Alex Vasudevan</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[A Negative Dialectics of the Arts]]></dc:title>
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<title><![CDATA[Jeff Wall - Introduction]]></title>
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<description><![CDATA[Steve Edwards<br />Mar  1, 2007; 30:1-5<br />Articles]]></description>
<dc:creator>Steve Edwards</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl034</dc:identifier>
<dc:title><![CDATA[Jeff Wall - Introduction]]></dc:title>
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<title><![CDATA[A Devil's-Eye View of Paris: Gavarni's Portrait of the Editor]]></title>
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<description><![CDATA[Jillian Taylor Lerner<br />Jun  1, 2008; 31:233-250<br />Articles]]></description>
<dc:creator>Jillian Taylor Lerner</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[A Devil's-Eye View of Paris: Gavarni's Portrait of the Editor]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/2/292?rss=1&amp;ssource=mfc">
<title><![CDATA[British Art History and the Royal Academy]]></title>
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<description><![CDATA[John Bonehill<br />Jun  1, 2008; 31:292-294<br />Reviews]]></description>
<dc:creator>John Bonehill</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[British Art History and the Royal Academy]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Courbet's Materialism]]></title>
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<description><![CDATA[Frederique Desbuissons<br />Jun  1, 2008; 31:251-260<br />Articles]]></description>
<dc:creator>Frederique Desbuissons</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Courbet's Materialism]]></dc:title>
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<title><![CDATA[The Politics of Copying: Le Corbusier's 'Immaculate Conceptions']]></title>
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<description><![CDATA[Jan Kenneth Birksted<br />Jun  1, 2007; 30:305-326<br />Articles]]></description>
<dc:creator>Jan Kenneth Birksted</dc:creator>
<dc:date>2007-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm010</dc:identifier>
<dc:title><![CDATA[The Politics of Copying: Le Corbusier's 'Immaculate Conceptions']]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Post-60s Photography and its Modernist Context]]></title>
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<description><![CDATA[Jeff Wall, John Roberts<br />Mar  1, 2007; 30:153-167<br />Articles]]></description>
<dc:creator>Jeff Wall, John Roberts</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl025</dc:identifier>
<dc:title><![CDATA[Post-60s Photography and its Modernist Context]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Making Up the Portrait]]></title>
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<description><![CDATA[A. Cassandra Albinson<br />Jun  1, 2008; 31:294-300<br />Reviews]]></description>
<dc:creator>A. Cassandra Albinson</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Making Up the Portrait]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Emancipation]]></title>
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<description><![CDATA[Steven Harris<br />Jun  1, 2008; 31:304-308<br />Reviews]]></description>
<dc:creator>Steven Harris</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Emancipation]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Rough Poetry: Patio and Pavilion Revisited]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/2/269?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Ben Highmore<br />Jun  1, 2006; 29:269-290<br />Articles]]></description>
<dc:creator>Ben Highmore</dc:creator>
<dc:date>2006-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl005</dc:identifier>
<dc:title><![CDATA[Rough Poetry: Patio and Pavilion Revisited]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Photomontage in the Year 1932: John Heartfield and the National Socialists]]></title>
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<description><![CDATA[Sabine Kriebel<br />Mar  1, 2008; 31:97-127<br />Articles]]></description>
<dc:creator>Sabine Kriebel</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[Photomontage in the Year 1932: John Heartfield and the National Socialists]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Notes on Contributors]]></title>
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<description><![CDATA[<br />Jun  1, 2008; 31:313-314<br />]]></description>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Notes on Contributors]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA['A Theoretical Diagram in an Empty Classroom': Jeff Wall's Picture for Women]]></title>
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<description><![CDATA[David Campany<br />Mar  1, 2007; 30:7-25<br />Articles]]></description>
<dc:creator>David Campany</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl033</dc:identifier>
<dc:title><![CDATA['A Theoretical Diagram in an Empty Classroom': Jeff Wall's Picture for Women]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[The Assassination of Marcel Duchamp: Collectivism and Contestation in 1960s France]]></title>
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<description><![CDATA[Jill Carrick<br />Mar  1, 2008; 31:1-25<br />Articles]]></description>
<dc:creator>Jill Carrick</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[The Assassination of Marcel Duchamp: Collectivism and Contestation in 1960s France]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Night]]></title>
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<description><![CDATA[Briony Fer<br />Mar  1, 2007; 30:69-80<br />Articles]]></description>
<dc:creator>Briony Fer</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl028</dc:identifier>
<dc:title><![CDATA[Night]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/3/377?rss=1&amp;ssource=mfc">
<title><![CDATA[The Pathological Body: Modernist Strategising in Egon Schiele's Self-Portraiture]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/3/377?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Gemma Blackshaw<br />Oct  1, 2007; 30:377-401<br />Articles]]></description>
<dc:creator>Gemma Blackshaw</dc:creator>
<dc:date>2007-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm020</dc:identifier>
<dc:title><![CDATA[The Pathological Body: Modernist Strategising in Egon Schiele's Self-Portraiture]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA['Poor Ass!' (A Donkey in Blackpool, 1999)]]></title>
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<description><![CDATA[Steve Edwards<br />Mar  1, 2007; 30:39-54<br />Articles]]></description>
<dc:creator>Steve Edwards</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl026</dc:identifier>
<dc:title><![CDATA['Poor Ass!' (A Donkey in Blackpool, 1999)]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Drawing in the Archive: Paul Klee's Oil-Transfers]]></title>
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<description><![CDATA[Tamara Trodd<br />Mar  1, 2008; 31:75-95<br />Articles]]></description>
<dc:creator>Tamara Trodd</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[Drawing in the Archive: Paul Klee's Oil-Transfers]]></dc:title>
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<title><![CDATA[Was Socialist Realism Forced Labour? The Case of Aleksandr Deineka in the 1930s]]></title>
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<description><![CDATA[Christina Kiaer<br />Oct  1, 2005; 28:321-345<br />Articles]]></description>
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<dc:title><![CDATA[Was Socialist Realism Forced Labour? The Case of Aleksandr Deineka in the 1930s]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/2/185?rss=1&amp;ssource=mfc">
<title><![CDATA[Titian's Fire: Pyrotechnics and Representations in Sixteenth-Century Venice]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/2/185?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Paul Hills<br />Jun  1, 2007; 30:185-204<br />Articles]]></description>
<dc:creator>Paul Hills</dc:creator>
<dc:date>2007-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm005</dc:identifier>
<dc:title><![CDATA[Titian's Fire: Pyrotechnics and Representations in Sixteenth-Century Venice]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/2/233?rss=1&amp;ssource=mfc">
<title><![CDATA[The Kasmin Gallery]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/2/233?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lisa Tickner<br />Jun  1, 2007; 30:233-268<br />Articles]]></description>
<dc:creator>Lisa Tickner</dc:creator>
<dc:date>2007-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm007</dc:identifier>
<dc:title><![CDATA[The Kasmin Gallery]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/29/3/419?rss=1&amp;ssource=mfc">
<title><![CDATA[Power's Script: or, Jenny Holzer's Art after 'Art after Philosophy']]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/3/419?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Gordon Hughes<br />Oct  1, 2006; 29:419-440<br />Articles]]></description>
<dc:creator>Gordon Hughes</dc:creator>
<dc:date>2006-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl017</dc:identifier>
<dc:title><![CDATA[Power's Script: or, Jenny Holzer's Art after 'Art after Philosophy']]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/2/281?rss=1&amp;ssource=mfc">
<title><![CDATA[Constructing an Ancestral Past]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/2/281?rss=1&amp;ssource=mfc</link>
<description><![CDATA[David Hemsoll<br />Jun  1, 2008; 31:281-285<br />Reviews]]></description>
<dc:creator>David Hemsoll</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Constructing an Ancestral Past]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/29/3/371?rss=1&amp;ssource=mfc">
<title><![CDATA[Stenographic Notation: Whistler's Etchings of Venice]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/3/371?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Caroline Arscott<br />Oct  1, 2006; 29:371-393<br />Articles]]></description>
<dc:creator>Caroline Arscott</dc:creator>
<dc:date>2006-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl019</dc:identifier>
<dc:title><![CDATA[Stenographic Notation: Whistler's Etchings of Venice]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/29/3/395?rss=1&amp;ssource=mfc">
<title><![CDATA[Heartfield's Collaboration]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/3/395?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Nancy Roth<br />Oct  1, 2006; 29:395-418<br />Articles]]></description>
<dc:creator>Nancy Roth</dc:creator>
<dc:date>2006-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl016</dc:identifier>
<dc:title><![CDATA[Heartfield's Collaboration]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/3/402?rss=1&amp;ssource=mfc">
<title><![CDATA[Pop's Ladies and Bad Girls: Axell, Pauline Boty and Rosalyn Drexler]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/3/402?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Kalliopi Minioudaki<br />Oct  1, 2007; 30:402-430<br />Articles]]></description>
<dc:creator>Kalliopi Minioudaki</dc:creator>
<dc:date>2007-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm023</dc:identifier>
<dc:title><![CDATA[Pop's Ladies and Bad Girls: Axell, Pauline Boty and Rosalyn Drexler]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/28/1/83?rss=1&amp;ssource=mfc">
<title><![CDATA[Caravaggio's Coroner: Forensic Medicine in Giulio Mancini's Art Criticism]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/28/1/83?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Todd P. Olson<br />Mar  1, 2005; 28:83-98<br />Articles]]></description>
<dc:creator>Todd P. Olson</dc:creator>
<dc:date>2005-03-01</dc:date>
<dc:identifier>10.1093/oaj/kci014</dc:identifier>
<dc:title><![CDATA[Caravaggio's Coroner: Forensic Medicine in Giulio Mancini's Art Criticism]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/1/27?rss=1&amp;ssource=mfc">
<title><![CDATA[A Sudden Gust of Wind (after Hokusai): from After to Before the Photograph]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/1/27?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Laura Mulvey<br />Mar  1, 2007; 30:27-37<br />Articles]]></description>
<dc:creator>Laura Mulvey</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl030</dc:identifier>
<dc:title><![CDATA[A Sudden Gust of Wind (after Hokusai): from After to Before the Photograph]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/1/51?rss=1&amp;ssource=mfc">
<title><![CDATA[The Meanings of Acts: Agnes Martin and the Making of Americans]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/1/51?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Brendan Prendeville<br />Mar  1, 2008; 31:51-73<br />Articles]]></description>
<dc:creator>Brendan Prendeville</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[The Meanings of Acts: Agnes Martin and the Making of Americans]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/1/117?rss=1&amp;ssource=mfc">
<title><![CDATA[Wall's Tableau Mort]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/1/117?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Stewart Martin<br />Mar  1, 2007; 30:117-133<br />Articles]]></description>
<dc:creator>Stewart Martin</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl036</dc:identifier>
<dc:title><![CDATA[Wall's Tableau Mort]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/1/169?rss=1&amp;ssource=mfc">
<title><![CDATA[Photography as Model]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/1/169?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Cliff Lauson<br />Mar  1, 2007; 30:169-174<br />]]></description>
<dc:creator>Cliff Lauson</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl027</dc:identifier>
<dc:title><![CDATA[Photography as Model]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/2/215?rss=1&amp;ssource=mfc">
<title><![CDATA[Decentralising the History of French Art: Leon Lagrange on Provencal Art]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/2/215?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Vojtech Jirat-Wasiutynski<br />Jun  1, 2008; 31:215-231<br />Articles]]></description>
<dc:creator>Vojtech Jirat-Wasiutynski</dc:creator>
<dc:date>2008-06-01</dc:date>
<dc:title><![CDATA[Decentralising the History of French Art: Leon Lagrange on Provencal Art]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/1/81?rss=1&amp;ssource=mfc">
<title><![CDATA[Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/1/81?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Michael Newman<br />Mar  1, 2007; 30:81-100<br />Articles]]></description>
<dc:creator>Michael Newman</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl035</dc:identifier>
<dc:title><![CDATA[Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/25/1/106?rss=1&amp;ssource=mfc">
<title><![CDATA[Blotting and Blurring One Against the Other: Reynolds, Gainsborough and Narratives of the Artist]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/25/1/106?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Andrew Kennedy, Annle E. Richardson<br />Jan  1, 2002; 25:106-118<br />Reviews]]></description>
<dc:creator>Andrew Kennedy, Annle E. Richardson</dc:creator>
<dc:date>2002-01-01</dc:date>
<dc:identifier>10.1093/oxartj/25.1.106</dc:identifier>
<dc:title><![CDATA[Blotting and Blurring One Against the Other: Reynolds, Gainsborough and Narratives of the Artist]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/1/135?rss=1&amp;ssource=mfc">
<title><![CDATA[In Other Hands: Jeff Wall's Beispiel]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/1/135?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Shepherd Steiner<br />Mar  1, 2007; 30:135-151<br />Articles]]></description>
<dc:creator>Shepherd Steiner</dc:creator>
<dc:date>2007-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl031</dc:identifier>
<dc:title><![CDATA[In Other Hands: Jeff Wall's Beispiel]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/28/2/191?rss=1&amp;ssource=mfc">
<title><![CDATA[The Discourse of Perspective in the Twentieth Century: Panofsky, Damisch, Lacan]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/28/2/191?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Margaret Iversen<br />Jun  1, 2005; 28:191-202<br />]]></description>
<dc:creator>Margaret Iversen</dc:creator>
<dc:date>2005-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kci020</dc:identifier>
<dc:title><![CDATA[The Discourse of Perspective in the Twentieth Century: Panofsky, Damisch, Lacan]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/2/334?rss=1&amp;ssource=mfc">
<title><![CDATA[Modernism into America]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/2/334?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Barnaby Haran<br />Jun  1, 2007; 30:334-338<br />Reviews]]></description>
<dc:creator>Barnaby Haran</dc:creator>
<dc:date>2007-06-01</dc:date>
<dc:title><![CDATA[Modernism into America]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/3/454?rss=1&amp;ssource=mfc">
<title><![CDATA[Remedy or Poison? Diego Rivera, Medicine and Technology]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/3/454?rss=1&amp;ssource=mfc</link>
<description><![CDATA[David Lomas<br />Oct  1, 2007; 30:454-483<br />Articles]]></description>
<dc:creator>David Lomas</dc:creator>
<dc:date>2007-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm022</dc:identifier>
<dc:title><![CDATA[Remedy or Poison? Diego Rivera, Medicine and Technology]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/1/27?rss=1&amp;ssource=mfc">
<title><![CDATA[Francois Dallegret's Astrological Automobiles: Occult Commodities for France in the 1960s]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/1/27?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Sarah K. Rich<br />Mar  1, 2008; 31:27-49<br />Articles]]></description>
<dc:creator>Sarah K. Rich</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[Francois Dallegret's Astrological Automobiles: Occult Commodities for France in the 1960s]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/29/3/319?rss=1&amp;ssource=mfc">
<title><![CDATA[Una cosa che non e': Perspective and Humour in the Paintings of Filippo Lippi]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/3/319?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Barnaby Nygren<br />Oct  1, 2006; 29:319-339<br />Articles]]></description>
<dc:creator>Barnaby Nygren</dc:creator>
<dc:date>2006-10-01</dc:date>
<dc:identifier>10.1093/oxartj/kcl018</dc:identifier>
<dc:title><![CDATA[Una cosa che non e': Perspective and Humour in the Paintings of Filippo Lippi]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/30/2/205?rss=1&amp;ssource=mfc">
<title><![CDATA[Materialist Feminism for the Twenty-first Century: The Video Essays of Ursula Biemann]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/30/2/205?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Angela Dimitrakaki<br />Jun  1, 2007; 30:205-232<br />Articles]]></description>
<dc:creator>Angela Dimitrakaki</dc:creator>
<dc:date>2007-06-01</dc:date>
<dc:identifier>10.1093/oxartj/kcm006</dc:identifier>
<dc:title><![CDATA[Materialist Feminism for the Twenty-first Century: The Video Essays of Ursula Biemann]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/1/129?rss=1&amp;ssource=mfc">
<title><![CDATA[Art of the Collective: David Alfaro Siqueiros, Josep Renau and their Collaboration at the Mexican Electricians' Syndicate]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/1/129?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jennifer Jolly<br />Mar  1, 2008; 31:129-151<br />Articles]]></description>
<dc:creator>Jennifer Jolly</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[Art of the Collective: David Alfaro Siqueiros, Josep Renau and their Collaboration at the Mexican Electricians' Syndicate]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/31/1/166?rss=1&amp;ssource=mfc">
<title><![CDATA[Matisse reviewed]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/31/1/166?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Harry Cooper<br />Mar  1, 2008; 31:166-169<br />Reviews]]></description>
<dc:creator>Harry Cooper</dc:creator>
<dc:date>2008-03-01</dc:date>
<dc:title><![CDATA[Matisse reviewed]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/26/1/99?rss=1&amp;ssource=mfc">
<title><![CDATA[Remembering Yoko Ono's Cut Piece]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/26/1/99?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Julia Bryan-Wilson<br />Jan  1, 2003; 26:99-123<br />Articles]]></description>
<dc:creator>Julia Bryan-Wilson</dc:creator>
<dc:date>2003-01-01</dc:date>
<dc:identifier>10.1093/oxartj/26.1.99</dc:identifier>
<dc:title><![CDATA[Remembering Yoko Ono's Cut Piece]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/29/1/25?rss=1&amp;ssource=mfc">
<title><![CDATA[The Jewish Christ: Problems of Self-Presentation and Socio-Cultural Assimilation in Richard Gerstl's Self-Portraiture]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/29/1/25?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Gemma Blackshaw<br />Mar  1, 2006; 29:25-51<br />Articles]]></description>
<dc:creator>Gemma Blackshaw</dc:creator>
<dc:date>2006-03-01</dc:date>
<dc:identifier>10.1093/oxartj/kci045</dc:identifier>
<dc:title><![CDATA[The Jewish Christ: Problems of Self-Presentation and Socio-Cultural Assimilation in Richard Gerstl's Self-Portraiture]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://oaj.oupjournals.org/cgi/content/short/27/2/257?rss=1&amp;ssource=mfc">
<title><![CDATA[Welcome to the Desert of the Real Art World]]></title>
<link>http://oaj.oupjournals.org/cgi/content/short/27/2/257?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Gregory G. Sholette<br />Feb  1, 2004; 27:257-262<br />Articles]]></description>
<dc:creator>Gregory G. Sholette</dc:creator>
<dc:date>2004-02-01</dc:date>
<dc:identifier>10.1093/oaj/27.2.257</dc:identifier>
<dc:title><![CDATA[Welcome to the Desert of the Real Art World]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

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