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Previous 		Contents: Volume 31, Number 1, March 2008   [Index by Author] 

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Front Matter (PDF) | Back Matter (PDF) | Table of Contents (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Jill Carrick
The Assassination of Marcel Duchamp: Collectivism and Contestation in 1960s France
Oxford Art Journal Advance Access published on November 9, 2007
Oxford Art J 2008 31: 1-25; doi:10.1093/oxartj/kcm029 [Full Text] [PDF] [Request Permissions]  

Sarah K. Rich
François Dallegret's Astrological Automobiles: Occult Commodities for France in the 1960s
Oxford Art J 2008 31: 27-49; doi:10.1093/oxartj/kcn008 [Full Text] [PDF] [Request Permissions]  

Brendan Prendeville
The Meanings of Acts: Agnes Martin and the Making of Americans
Oxford Art Journal Advance Access published on November 12, 2007
Oxford Art J 2008 31: 51-73; doi:10.1093/oxartj/kcm027 [Full Text] [PDF] [Request Permissions]  

Tamara Trodd
Drawing in the Archive: Paul Klee's Oil-Transfers
Oxford Art Journal Advance Access published on September 27, 2007
Oxford Art J 2008 31: 75-95; doi:10.1093/oxartj/kcm028 [Full Text] [PDF] [Request Permissions]  

Sabine Kriebel
Photomontage in the Year 1932: John Heartfield and the National Socialists
Oxford Art J 2008 31: 97-127; doi:10.1093/oxartj/kcn007 [Full Text] [PDF] [Request Permissions]  

Jennifer Jolly
Art of the Collective: David Alfaro Siqueiros, Josep Renau and their Collaboration at the Mexican Electricians' Syndicate
Oxford Art J 2008 31: 129-151; doi:10.1093/oxartj/kcn006 [Full Text] [PDF] [Request Permissions]  

Reviews Back

Tony Hughes
Ekserdjian's Parmigianino
Oxford Art J 2008 31: 153-157; doi:10.1093/oxartj/kcn003 [Full Text] [PDF] [Request Permissions]  

Christine Stevenson
Past Perfect
Oxford Art J 2008 31: 157-161; doi:10.1093/oxartj/kcn004 [Full Text] [PDF] [Request Permissions]  

Patrizia Di Bello
Mechanised Work or Artistic Creation: Nineteenth-century Debates on Class and Photography
Oxford Art J 2008 31: 161-164; doi:10.1093/oxartj/kcn001 [Full Text] [PDF] [Request Permissions]  

Tania Woloshyn
The Nomenclature of Neo-Impressionism, the Order of Anarchy
Oxford Art J 2008 31: 164-166; doi:10.1093/oxartj/kcn005 [Full Text] [PDF] [Request Permissions]  

Harry Cooper
Matisse reviewed
Oxford Art J 2008 31: 166-169; doi:10.1093/oxartj/kcn002 [Full Text] [PDF] [Request Permissions]  

Abstracts Back

Abstracts
Oxford Art J 2008 31: 171-173; doi:10.1093/oxartj/kcn010 [Full Text] [PDF] [Request Permissions]  

Notes on Contributors Back

Notes on Contributors
Oxford Art J 2008 31: 175-176; doi:10.1093/oxartj/kcn009 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.