Skip Navigation

Receive this page by email each issue: [Sign up for eTOCs]

Contents: Volume 9, Number 2, 1986   [Index by Author] 
Other Issues: Previous Next  

Down Articles
Down Reviews
Down Notes on Contributors


[Search ALL Issues]

Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

HELEN BOORMAN
Rethinking the Expressionist Era; Wilhelmine Cultural Debates and Prussian Elements in German Expressionism
Oxford Art J 1986 9: 3-15; doi:10.1093/oxartj/9.2.3 [PDF] [Request Permissions]  

CHRISTINE FISCHER-DEFOY
Artists and Art Institutions in Germany 1933–1945
Oxford Art J 1986 9: 16-29; doi:10.1093/oxartj/9.2.16 [PDF] [Request Permissions]  

ANDREW BENJAMIN
The Decline of Art: Benjamin's Aura
Oxford Art J 1986 9: 30-35; doi:10.1093/oxartj/9.2.30 [PDF] [Request Permissions]  

JOHN BARRELL
Sir Joshua Reynolds and the Political Theory of Painting
Oxford Art J 1986 9: 36-41; doi:10.1093/oxartj/9.2.36 [PDF] [Request Permissions]  

DAVID H. SOLKIN
Great Pictures or Great Men? Reynolds, Male Portraiture, and the Power of Art
Oxford Art J 1986 9: 42-49; doi:10.1093/oxartj/9.2.42 [PDF] [Request Permissions]  

ANTHONY HUGHES
‘An Academy for Doing’. II: Academies, Status and Power in Early Modern Europe
Oxford Art J 1986 9: 50-62; doi:10.1093/oxartj/9.2.50 [PDF] [Request Permissions]  

Reviews Back

ANGELA PARTINGTON
The Originality of the Avant-garde and other Modernist Myths
Oxford Art J 1986 9: 63-67; doi:10.1093/oxartj/9.2.63 [PDF] [Request Permissions]  

ROBERT BLACK
The Uses and Abuses of Iconology: Piero della Franceses and Carlo Ginzburg
Oxford Art J 1986 9: 67-71; doi:10.1093/oxartj/9.2.67 [PDF] [Request Permissions]  

MARGARET IVERSEN
Patterns of Intention. On the Historical Explanation of Pictures
Oxford Art J 1986 9: 71-72; doi:10.1093/oxartj/9.2.71 [PDF] [Request Permissions]  

ANGELICA GOODDEN
Roger de Piles' Theory of Art
Oxford Art J 1986 9: 72-74; doi:10.1093/oxartj/9.2.72 [PDF] [Request Permissions]  

IAIN PEARS
The Treasure Houses of Britain: 500 Years of Private Patronage and Art Collecting
Oxford Art J 1986 9: 74-76; doi:10.1093/oxartj/9.2.74 [PDF] [Request Permissions]  

JOHN GOODMAN
Le Style Troubadour ou la nostalgie du bon vieux temps
Oxford Art J 1986 9: 76-78; doi:10.1093/oxartj/9.2.76 [PDF] [Request Permissions]  

MARTHA WARD
Seurat
Oxford Art J 1986 9: 79-80; doi:10.1093/oxartj/9.2.79 [PDF] [Request Permissions]  

JOHN SEED
Art and Architecture in Victorian Manchester. Ten illustrations of patronage and practice
Oxford Art J 1986 9: 80-82; doi:10.1093/oxartj/9.2.80 [PDF] [Request Permissions]  

STEFAN MUTHESIUS
C.R. Ashbee Architect, Designer & Romantic Socialist
Oxford Art J 1986 9: 82-84; doi:10.1093/oxartj/9.2.82 [PDF] [Request Permissions]  

BOOKS RECEIVED
Oxford Art J 1986 9: 85; doi:10.1093/oxartj/9.2.85 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1986 9: 86; doi:10.1093/oxartj/9.2.86 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.