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Contents: Volume 7, Number 2, 1984   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

DAVID GREEN
Veins of Resemblance: Photography and Eugenics
Oxford Art J 1984 7: 3-16; doi:10.1093/oxartj/7.2.3 [PDF] [Request Permissions]  

STEPHANIE SPENCER
O. G. Rejlander’s Photographs of Street Urchins
Oxford Art J 1984 7: 17-24; doi:10.1093/oxartj/7.2.17 [PDF] [Request Permissions]  

MICHAEL HARVEY
Ruskin and Photography
Oxford Art J 1984 7: 25-33; doi:10.1093/oxartj/7.2.25 [PDF] [Request Permissions]  

CHRISTOPHER MILLER
‘Questions qui relèvent d’une métaphysique "bête", ou simple’: A Critique of La Chambre claire
Oxford Art J 1984 7: 34-41; doi:10.1093/oxartj/7.2.34 [PDF] [Request Permissions]  

JOANY HICHBERGER
Democratising Glory? The Victoria Cross Paintings of Louis Desanges
Oxford Art J 1984 7: 42-51; doi:10.1093/oxartj/7.2.42 [PDF] [Request Permissions]  

PAUL CROWTHER
Barnett Newman and the Sublime
Oxford Art J 1984 7: 52-59; doi:10.1093/oxartj/7.2.52 [PDF] [Request Permissions]  

Reviews Back

JULIET STEYN
How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War
Oxford Art J 1984 7: 60-64; doi:10.1093/oxartj/7.2.60 [PDF] [Request Permissions]  

CHARLES FORD
Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century; Masters of Seventeenth-century Dutch Genre Painting (catalogue of The Age of Vermeer and De Hooch, Royal Academy, 1984)
Oxford Art J 1984 7: 64-65; doi:10.1093/oxartj/7.2.64 [PDF] [Request Permissions]  

DAVID ELLIOTT
Pioneers of Soviet Photography 1917–1940
Oxford Art J 1984 7: 65-67; doi:10.1093/oxartj/7.2.65 [PDF] [Request Permissions]  

IAN THOMSON
James Tissot
Oxford Art J 1984 7: 67-69; doi:10.1093/oxartj/7.2.67 [PDF] [Request Permissions]  

PETER CUNNINGHAM
A World History of Art; Art, A History of Changing Style; Looking at Pictures (Cambridge Introduction to the History of Art); Greece and Rome (Cambridge Introduction to the History of Art)
Oxford Art J 1984 7: 70-72; doi:10.1093/oxartj/7.2.70 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.