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Contents: Volume 7, Number 1, 1984   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

ANGELICA GOODDEN
Painting for the Eye and Painting for the Mind: Correspondences of the Arts in Eighteenth-Century France
Oxford Art J 1984 7: 3-14; doi:10.1093/oxartj/7.1.3 [PDF] [Request Permissions]  

MARCIA POINTON
From ‘Blind Man's Buff’ to ‘Le Colin Maillard’: Wilkie and his French audience
Oxford Art J 1984 7: 15-25; doi:10.1093/oxartj/7.1.15 [PDF] [Request Permissions]  

LYNN NEAD
The Magdalen in Modern Times: The Mythology of the Fallen Woman in Pre-Raphaelite Painting
Oxford Art J 1984 7: 26-37; doi:10.1093/oxartj/7.1.26 [PDF] [Request Permissions]  

GERARD VAUGHAN
Maurice Denis and the Sense of Music
Oxford Art J 1984 7: 38-48; doi:10.1093/oxartj/7.1.38 [PDF] [Request Permissions]  

JUDY SUND
Fernand Leger and Unanimism: Where There’s Smoke...
Oxford Art J 1984 7: 49-56; doi:10.1093/oxartj/7.1.49 [PDF] [Request Permissions]  

Reviews Back

IVAN GASKELL
The Art of Describing. Dutch Art in the Seventeenth Century
Oxford Art J 1984 7: 57-60; doi:10.1093/oxartj/7.1.57 [PDF] [Request Permissions]  

MARGARET IVERSEN
The Eloquence of Symbols. Studies in Humanist Art
Oxford Art J 1984 7: 60-62; doi:10.1093/oxartj/7.1.60 [PDF] [Request Permissions]  

ANGELICA GOODDEN
The Object of Art: Theories of illusion in eighteenth-century France
Oxford Art J 1984 7: 62-64; doi:10.1093/oxartj/7.1.62 [PDF] [Request Permissions]  

PETER LAMARQUE
Aesthetics: Problems in the Philosophy of Criticism; The Aesthetic Point of View: Selected Essays
Oxford Art J 1984 7: 64-66; doi:10.1093/oxartj/7.1.64 [PDF] [Request Permissions]  

MALCOLM VALE
English Court Culture in the Later Middle Ages
Oxford Art J 1984 7: 66-67; doi:10.1093/oxartj/7.1.66 [PDF] [Request Permissions]  

JOHN BOLD
The Illustrated Journeys of Celia Fiennes, 1685–c.1712
Oxford Art J 1984 7: 67-69; doi:10.1093/oxartj/7.1.67 [PDF] [Request Permissions]  

ORIANA BADDELEY
The Orientalists: Delacroix to Matisse
Oxford Art J 1984 7: 69-71; doi:10.1093/oxartj/7.1.69 [PDF] [Request Permissions]  

SARAH WILSON
Paul Eluard et la peinture surréaliste
Oxford Art J 1984 7: 71-72; doi:10.1093/oxartj/7.1.71 [PDF] [Request Permissions]  

PETER HOWELL
Unbuilt Oxford
Oxford Art J 1984 7: 72; doi:10.1093/oxartj/7.1.72 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1984 7: 73; doi:10.1093/oxartj/7.1.73 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.