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Previous Next 		Contents: Volume 31, Number 3, October 2008   [Index by Author] 

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Front Matter (PDF) | Back Matter (PDF) | Table of Contents (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Laura Weigert
Chambres d'amour: Tapestries of Love and the Texturing of Space
Oxford Art J 2008 31: 317-336; doi:10.1093/oxartj/kcn030 [Full Text] [PDF] [Request Permissions]  

Michael Cole
Giambologna and the Sculpture with No Name
Oxford Art J 2008 31: 337-359; doi:10.1093/oxartj/kcn027 [Full Text] [PDF] [Request Permissions]  

Angela Vanhaelen
Recomposing the Body Politic in Seventeenth-century Delft
Oxford Art J 2008 31: 361-381; doi:10.1093/oxartj/kcn029 [Full Text] [PDF] [Request Permissions]  

Alina Orlov
First There Was the Word: Early Russian Texts on Modern Jewish Art
Oxford Art J 2008 31: 383-402; doi:10.1093/oxartj/kcn025 [Full Text] [PDF] [Request Permissions]  

Joan Kee
Points, Lines, Encounters: The World According to Lee Ufan
Oxford Art J 2008 31: 403-424; doi:10.1093/oxartj/kcn028 [Full Text] [PDF] [Request Permissions]  

Reviews Back

Andreas J. M. Kropp
Roman Art and Laughing Viewers
Oxford Art J 2008 31: 425-431; doi:10.1093/oxartj/kcn040 [Full Text] [PDF] [Request Permissions]  

Stacy Boldrick
Out of Place
Oxford Art J 2008 31: 431-435; doi:10.1093/oxartj/kcn032 [Full Text] [PDF] [Request Permissions]  

Kate Retford
The Politics of Posterity
Oxford Art J 2008 31: 435-438; doi:10.1093/oxartj/kcn037 [Full Text] [PDF] [Request Permissions]  

Patricia Smyth
Calculated Uncertainty: Georgian Theatre and the Construction of Feminine Identities
Oxford Art J 2008 31: 439-442; doi:10.1093/oxartj/kcn041 [Full Text] [PDF] [Request Permissions]  

Frédérique Desbuissons
In Media Res
Oxford Art J 2008 31: 442-447; doi:10.1093/oxartj/kcn039 [Full Text] [PDF] [Request Permissions]  

Natasha Eaton
Flexible Design? Art in a Binocular Empire
Oxford Art J 2008 31: 447-451; doi:10.1093/oxartj/kcn033 [Full Text] [PDF] [Request Permissions]  

Kay Dian Kriz
Slavery Represented or Slavery Illustrated?
Oxford Art J 2008 31: 451-454; doi:10.1093/oxartj/kcn034 [Full Text] [PDF] [Request Permissions]  

Sam Smiles
What Lies Beneath
Oxford Art J 2008 31: 454-457; doi:10.1093/oxartj/kcn038 [Full Text] [PDF] [Request Permissions]  

Jody Patterson
What's So Amazing about the ‘Amazing Continuity’?
Oxford Art J 2008 31: 457-460; doi:10.1093/oxartj/kcn036 [Full Text] [PDF] [Request Permissions]  

Anna Lovatt
Border Crossings
Oxford Art J 2008 31: 460-463; doi:10.1093/oxartj/kcn035 [Full Text] [PDF] [Request Permissions]  

John Roberts
Photography and its Truth-Event
Oxford Art J 2008 31: 463-468; doi:10.1093/oxartj/kcn042 [Full Text] [PDF] [Request Permissions]  

Abstracts Back

Abstracts
Oxford Art J 2008 31: 469-470; doi:10.1093/oxartj/kcp001 [Full Text] [PDF] [Request Permissions]  

Notes on Contributors Back

Notes on Contributors
Oxford Art J 2008 31: 471-473; doi:10.1093/oxartj/kcp002 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.