Skip Navigation

Receive this page by email each issue: [Sign up for eTOCs]

Contents: Volume 3, Number 2, October 1980   [Index by Author] 
Other Issues: Previous Next  

Down Articles
Down Reviews
Down Notes for Contributors


[Search ALL Issues]

Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

THE EDITORS
Preface
Oxford Art J 1980 3: 2; doi:10.1093/oxartj/3.2.2 [PDF] [Request Permissions]  

PETER JAMES HOLLIDAY
"Ad Triumphum Excolendum": The Political Significance of Roman Historical Painting
Oxford Art J 1980 3: 3-10; doi:10.1093/oxartj/3.2.3 [PDF] [Request Permissions]  

ELIZABETH MCGRATH
Tact and Topical Reference in Rubens’s ‘Medici Cycle’
Oxford Art J 1980 3: 11-18; doi:10.1093/oxartj/3.2.11 [PDF] [Request Permissions]  

PHILIPPE BORDES
Jacques-Louis David’s ‘Serment du Jeu de Paume’: Propaganda without a Cause?
Oxford Art J 1980 3: 19-25; doi:10.1093/oxartj/3.2.19 [PDF] [Request Permissions]  

MICHAEL MARRINAN
Resistance, Revolution and the July Monarchy: Images to Inspire the Chamber of Deputies
Oxford Art J 1980 3: 26-38; doi:10.1093/oxartj/3.2.26 [PDF] [Request Permissions]  

JOHN FRASER
Propaganda on the Picture Postcard
Oxford Art J 1980 3: 39-48; doi:10.1093/oxartj/3.2.39 [PDF] [Request Permissions]  

KATE FLINT
Art and the Fascist Régime in Italy
Oxford Art J 1980 3: 49-54; doi:10.1093/oxartj/3.2.49 [PDF] [Request Permissions]  

ELAINE MANCINI
Film Weapons For and Against the Régime: 1935 in Italy
Oxford Art J 1980 3: 55-60; doi:10.1093/oxartj/3.2.55 [PDF] [Request Permissions]  

SARAH WILSON
"La Beauté Révolutionnaire"? Réalisme Socialiste and French Painting 1935–1954
Oxford Art J 1980 3: 61-69; doi:10.1093/oxartj/3.2.61 [PDF] [Request Permissions]  

BELINDA LOFTUS
Images for Sale: Government and Security Advertising in Northern Ireland 1968–1978
Oxford Art J 1980 3: 70-80; doi:10.1093/oxartj/3.2.70 [PDF] [Request Permissions]  

Reviews Back

JONATHAN OSMOND
The New Sobriety: Art and Politics in the Weimar Period 1917–33
Oxford Art J 1980 3: 81-83; doi:10.1093/oxartj/3.2.81 [PDF] [Request Permissions]  

MICHAEL FOSTER
The Limewood Sculptors of Renaissance Germany
Oxford Art J 1980 3: 83-84; doi:10.1093/oxartj/3.2.83 [PDF] [Request Permissions]  

DAVID BROWN
William Mulready
Oxford Art J 1980 3: 84-85; doi:10.1093/oxartj/3.2.84 [PDF] [Request Permissions]  

JOHN HOOLE
The Story of Modern Art
Oxford Art J 1980 3: 85-86; doi:10.1093/oxartj/3.2.85 [PDF] [Request Permissions]  

TIM AYERS
BOOKS RECEIVED
Oxford Art J 1980 3: 86-87; doi:10.1093/oxartj/3.2.86 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 1980 3: 88; doi:10.1093/oxartj/3.2.88 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.