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Contents: Volume 26, Number 2, 2003   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Richard Clay
Violating the Sacred: Theft and ‘Iconoclasm’ in Late Eighteenth-Century Paris
Oxford Art J 2003 26: 1-22; doi:10.1093/oxartj/26.2.1 [PDF] [Request Permissions]  

Sally-ann Baggott and Brian Stokoe
The Success of a Photographer: Culture, Commerce, and Ideology in the Work of E. O. Hoppé
Oxford Art J 2003 26: 23-46; doi:10.1093/oxartj/26.2.23 [PDF] [Request Permissions]  

Julie M. Johnson
Athena Goes to the Prater: Parodying Ancients and Moderns at the Vienna Secession
Oxford Art J 2003 26: 47-69; doi:10.1093/oxartj/26.2.47 [PDF] [Request Permissions]  

John X. Christ
A Short Guide to the Art of Dining, Slumming, Touring, Wildlife, and Women for Hire in New York's Chinatown and Chinese Restaurants
Oxford Art J 2003 26: 71-92; doi:10.1093/oxartj/26.2.71 [PDF] [Request Permissions]  

Gray J. Sweeney
Inventing Luminism: ‘Lables are the Dickens’
Oxford Art J 2003 26: 93-120; doi:10.1093/oxartj/26.2.93 [PDF] [Request Permissions]  

Joan Kee
Situating a Singular Kind of ‘Action’: Early Gutai Painting, 1954–1957
Oxford Art J 2003 26: 121-140; doi:10.1093/oxartj/26.2.121 [PDF] [Request Permissions]  

Griselda Pollock
Cockfights and Other Parades: Gesture, Difference, and the Staging of Meaning in Three Paintings by Zoffany, Pollock, and Krasner
Oxford Art J 2003 26: 141-165; doi:10.1093/oxartj/26.2.141 [PDF] [Request Permissions]  

Reviews Back

Spyros Papapetros
The Eternal Seesaw: Oscillations in Warburg's Revival
Oxford Art J 2003 26: 169-176; doi:10.1093/oxartj/26.2.169 [PDF] [Request Permissions]  

Tom Gretton
Adventures in Black and White
Oxford Art J 2003 26: 176-178; doi:10.1093/oxartj/26.2.176 [PDF] [Request Permissions]  

Richard Wrigley
Ingres Now and Then
Oxford Art J 2003 26: 178-180; doi:10.1093/oxartj/26.2.178 [PDF] [Request Permissions]  

Helen Hills
Deciphering the Hieroglyphics of the Metropolis
Oxford Art J 2003 26: 181-186; doi:10.1093/oxartj/26.2.181 [PDF] [Request Permissions]  

Simon Baker
Search Fi A Find — The Black Art of Paris
Oxford Art J 2003 26: 186-191; doi:10.1093/oxartj/26.2.186 [PDF] [Request Permissions]  

Chris Gilbert
Genre Trouble
Oxford Art J 2003 26: 192-194; doi:10.1093/oxartj/26.2.192 [PDF] [Request Permissions]  

Abstracts Back

ABSTRACTS
Oxford Art J 2003 26: 195-197; doi:10.1093/oxartj/26.2.195 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 2003 26: 198; doi:10.1093/oxartj/26.2.198 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 2003 26: 199; doi:10.1093/oxartj/26.2.199 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 2003 26: 200; doi:10.1093/oxartj/26.2.200 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.