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Contents: Volume 25, Number 2, 2002   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Lisa Tickner
Messing About in Boats: E. J. Gregory's Boulter's Lock: Sunday Afternoon (R.A. 1897)
Oxford Art J 2002 25: 1-28; doi:10.1093/oxartj/25.2.1 [PDF] [Request Permissions]  

Robert L. Herbert
A Pre-Revolutionary Proposal for Reforming the Salon Jury, 1848
Oxford Art J 2002 25: 29-40; doi:10.1093/oxartj/25.2.29 [PDF] [Request Permissions]  

Susan Waller
Professional Poseurs: The Male Model in the Ecole des Beaux-Arts and the Popular Imagination
Oxford Art J 2002 25: 41-64; doi:10.1093/oxartj/25.2.41 [PDF] [Request Permissions]  

John P. Lambertson
Delacroix's Sardanapalus, Champmartin's Janissaries, and Liberalism in the Late Restoration
Oxford Art J 2002 25: 65-85; doi:10.1093/oxartj/25.2.65 [PDF] [Request Permissions]  

Edward D Powers
From Eternity To Here: Paul Gauguin and The Word Made Flesh
Oxford Art J 2002 25: 87-106; doi:10.1093/oxartj/25.2.87 [PDF] [Request Permissions]  

Martha Lucy
Cormon's Cain and the Problem of the Prehistoric Body
Oxford Art J 2002 25: 107-126; doi:10.1093/oxartj/25.2.107 [PDF] [Request Permissions]  

Anne Dunlop
Flesh And The Feminine: Early-Renaissance Images Of The Madonna With Eve At Her Feet
Oxford Art J 2002 25: 127-147; doi:10.1093/oxartj/25.2.127 [PDF] [Request Permissions]  

Reviews Back

Emma Chambers
Visuality and Urban Space in Nineteenth-Century England
Oxford Art J 2002 25: 151-156; doi:10.1093/oxartj/25.2.151 [PDF] [Request Permissions]  

Francesca Berry
Inside the Psychologised Interior
Oxford Art J 2002 25: 156-161; doi:10.1093/oxartj/25.2.156 [PDF] [Request Permissions]  

Amy Mechowski
A Singular Vision: Disentangling the Legend
Oxford Art J 2002 25: 161-164; doi:10.1093/oxartj/25.2.161 [PDF] [Request Permissions]  

Andrew Hemingway
Individualism and/or Solidarity? ‘Anarchist Modernism’ in the United States
Oxford Art J 2002 25: 165-170; doi:10.1093/oxartj/25.2.165 [PDF] [Request Permissions]  

Frederic J. Schwartz
The Paper Avan-Garde: Graphic Design and the Margins of Radical Practice
Oxford Art J 2002 25: 170-174; doi:10.1093/oxartj/25.2.170 [PDF] [Request Permissions]  

Nancy Roth
Teamworks
Oxford Art J 2002 25: 174-175; doi:10.1093/oxartj/25.2.174 [PDF] [Request Permissions]  

Abstracts Back

ABSTRACTS
Oxford Art J 2002 25: 177-179; doi:10.1093/oxartj/25.2.177 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 2002 25: 180; doi:10.1093/oxartj/25.2.180 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 2002 25: 181; doi:10.1093/oxartj/25.2.181 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 2002 25: 182; doi:10.1093/oxartj/25.2.182 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.