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Contents: Volume 23, Number 2, 2000   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Andrew McClellan
The Life and Death of a Royal Monument: Bouchardon's Louis XV
Oxford Art J 2000 23: 1-27; doi:10.1093/oxartj/23.2.1 [PDF] [Request Permissions]  

Brian Grosskurth
Shifting Monuments: Falconet's Peter the Great between Didoret and Eisenstein
Oxford Art J 2000 23: 29-48; doi:10.1093/oxartj/23.2.29 [PDF] [Request Permissions]  

Etienne Jollet
Between Allegory and Topography: The Project for a Statue to Louis XVI in Brest (1785–1786) and the Question of the Pedestal in Public Statuary in Eighteenth-Century France
Oxford Art J 2000 23: 49-77; doi:10.1093/oxartj/23.2.49 [PDF] [Request Permissions]  

Duncan Forbes
‘Dodging and watching the natural incidents of the peasantry’: Genre Painting in Scotland 1780–1830
Oxford Art J 2000 23: 79-94; doi:10.1093/oxartj/23.2.79 [PDF] [Request Permissions]  

Julie F. Codell
Righting the Victorian Artists: The Redgraves' A Century of Painters of the English School and the Serialization of Art History
Oxford Art J 2000 23: 95-119; doi:10.1093/oxartj/23.2.95 [PDF] [Request Permissions]  

Caroline Arscott
Convict Labour: Masking and Interchangeability in Victorian Prison Scenes
Oxford Art J 2000 23: 121-142; doi:10.1093/oxartj/23.2.121 [PDF] [Request Permissions]  

Tom Gretton
Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine
Oxford Art J 2000 23: 143-162; doi:10.1093/oxartj/23.2.143 [PDF] [Request Permissions]  

Reviews Back

Warren Carter
The Public (Mis)use of Art: Radical Artists, Reformist States, and the Politics of Mural Painting in 1930s and 1940s America and Mexico
Oxford Art J 2000 23: 163-171; doi:10.1093/oxartj/23.2.163 [PDF] [Request Permissions]  

Rose Marie San Juan
Framing the Early Modern Field of Vision
Oxford Art J 2000 23: 171-177; doi:10.1093/oxartj/23.2.171 [PDF] [Request Permissions]  

Abstracts Back

ABSTRACTS
Oxford Art J 2000 23: 179-181; doi:10.1093/oxartj/23.2.179 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 2000 23: 182; doi:10.1093/oxartj/23.2.182 [PDF] [Request Permissions]  

NOTES FOR CONTRIBUTORS
Oxford Art J 2000 23: 183; doi:10.1093/oxartj/23.2.183 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 2000 23: 184; doi:10.1093/oxartj/23.2.184 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.