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Contents: Volume 21, Number 2, 1998   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Abigail Solomon-Godeau
Mourning or Melancholia: Christian Boltanski's Missing House
Oxford Art J 1998 21: 1-20; doi:10.1093/oxartj/21.2.1 [PDF] [Request Permissions]  

Kathrin Hoffmann-Curtius
Memorials for the Dachau Concentration Camps
Oxford Art J 1998 21: 21-44; doi:10.1093/oxartj/21.2.21 [PDF] [Request Permissions]  

Frederic J. Schwartz
Form Follows Fetish: Adolf Behne and the Problem of Sachlichkeit
Oxford Art J 1998 21: 45-77; doi:10.1093/oxartj/21.2.45 [PDF] [Request Permissions]  

Janice M. Coco
Re-viewing John Sloan's Images of Women
Oxford Art J 1998 21: 79-97; doi:10.1093/oxartj/21.2.79 [PDF] [Request Permissions]  

Mark Antliff
Cubism, Futurism, Anarchism: The ‘Aestheticism’ of the Action d'art Group, 1906–1920
Oxford Art J 1998 21: 99-120; doi:10.1093/oxartj/21.2.99 [PDF] [Request Permissions]  

Nancy Jachec
Modernism, Enlightenment Values, and Clement Greenberg
Oxford Art J 1998 21: 121-132; doi:10.1093/oxartj/21.2.121 [PDF] [Request Permissions]  

Stephanie Pratt
Reynolds' ‘King of the Cherokees’ and Other Mistaken Identities in the Portraiture of Native American Delegations, 1710–1762
Oxford Art J 1998 21: 133-150; doi:10.1093/oxartj/21.2.133 [PDF] [Request Permissions]  

Amelia Rauser
Death or Liberty: British Political Prints and the Struggle for Symbols in the American Revolution
Oxford Art J 1998 21: 151-171; doi:10.1093/oxartj/21.2.151 [PDF] [Request Permissions]  

Reviews Back

Steve Edwards
... To The Sound Of A Tambourine
Oxford Art J 1998 21: 175-180; doi:10.1093/oxartj/21.2.175 [PDF] [Request Permissions]  

Jill Steward
Sociology and Visual Representation
Oxford Art J 1998 21: 180-185; doi:10.1093/oxartj/21.2.180 [PDF] [Request Permissions]  

Jane Kelly
The Point is to Change it
Oxford Art J 1998 21: 185-193; doi:10.1093/oxartj/21.2.185 [PDF] [Request Permissions]  

Helen Hills
Feminism, Architecture, and the Poor Rich Man
Oxford Art J 1998 21: 194-199; doi:10.1093/oxartj/21.2.194 [PDF] [Request Permissions]  

Janet Wolff
Modernism, Modernity and English Art
Oxford Art J 1998 21: 199-202; doi:10.1093/oxartj/21.2.199 [PDF] [Request Permissions]  

Claire Glossop
The Myth of the Artist
Oxford Art J 1998 21: 202-205; doi:10.1093/oxartj/21.2.202 [PDF] [Request Permissions]  

Robert Williams
Suppressing History
Oxford Art J 1998 21: 205-209; doi:10.1093/oxartj/21.2.205 [PDF] [Request Permissions]  

Michael Sonenscher
Modern Art
Oxford Art J 1998 21: 209-211; doi:10.1093/oxartj/21.2.209 [PDF] [Request Permissions]  

Abstracts Back

ABSTRACTS
Oxford Art J 1998 21: 213-215; doi:10.1093/oxartj/21.2.213 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1998 21: 216; doi:10.1093/oxartj/21.2.216 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 1998 21: 217; doi:10.1093/oxartj/21.2.217 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 1998 21: 218; doi:10.1093/oxartj/21.2.218 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.