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Contents: Volume 19, Number 2, 1996   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

ZAINAB BAHRANI
The Hellenization of Ishtar: Nudity, Fetishism, and the Production of Cultural Differentiation in Ancient Art
Oxford Art J 1996 19: 3-16; doi:10.1093/oxartj/19.2.3 [PDF] [Request Permissions]  

WILLIAM VAUGHAN
Constable's Englishness
Oxford Art J 1996 19: 17-27; doi:10.1093/oxartj/19.2.17 [PDF] [Request Permissions]  

YSANNE HOLT
Nature and Nostalgia: Philip Wilson Steer and Edwardian Landscapes
Oxford Art J 1996 19: 28-45; doi:10.1093/oxartj/19.2.28 [PDF] [Request Permissions]  

TAMAR GARB
Visuality and Sexuality in Cézanne's Late Bathers
Oxford Art J 1996 19: 46-60; doi:10.1093/oxartj/19.2.46 [PDF] [Request Permissions]  

JUTTA HELD
Political Action and ‘Paranoid-Critical’ Analysis: The Mother Image in Max Lingner and Salvador Dalí
Oxford Art J 1996 19: 61-71; doi:10.1093/oxartj/19.2.61 [PDF] [Request Permissions]  

ANTHONY W. LEE
Diego Rivera's The Making of a Fresco and its San Francisco Public
Oxford Art J 1996 19: 72-82; doi:10.1093/oxartj/19.2.72 [PDF] [Request Permissions]  

MATTHEW RAMPLEY
Identity and Difference: Jackson Pollock and the Ideology of the Drip
Oxford Art J 1996 19: 83-94; doi:10.1093/oxartj/19.2.83 [PDF] [Request Permissions]  

Reviews Back

TING CHANG
Models of Collecting
Oxford Art J 1996 19: 95-97; doi:10.1093/oxartj/19.2.95 [PDF] [Request Permissions]  

MAURICE DAVIES
Compilations of Curiosities
Oxford Art J 1996 19: 97-100; doi:10.1093/oxartj/19.2.97 [PDF] [Request Permissions]  

I. N. WOOD
Narrative and Reform after 1000
Oxford Art J 1996 19: 100-102; doi:10.1093/oxartj/19.2.100 [PDF] [Request Permissions]  

LISA ROSENTHAL
Rubens Reconsidered: Alpers and the Making of Artistic Authority
Oxford Art J 1996 19: 102-105; doi:10.1093/oxartj/19.2.102 [PDF] [Request Permissions]  

ROBERT W. JONES
Subjects Without History
Oxford Art J 1996 19: 105-107; doi:10.1093/oxartj/19.2.105 [PDF] [Request Permissions]  

PHILIPPE BORDES
Consolidating the Canon
Oxford Art J 1996 19: 107-114; doi:10.1093/oxartj/19.2.107 [PDF] [Request Permissions]  

HELEN WESTON
A Look Back on Ingres
Oxford Art J 1996 19: 114-116; doi:10.1093/oxartj/19.2.114 [PDF] [Request Permissions]  

COLIN CRUISE
Building Men, Constructing Images
Oxford Art J 1996 19: 116-119; doi:10.1093/oxartj/19.2.116 [PDF] [Request Permissions]  

JON KEAR
Modernism Revisited
Oxford Art J 1996 19: 119-121; doi:10.1093/oxartj/19.2.119 [PDF] [Request Permissions]  

ROGER GRIFFIN
Totalitarian Art and the Nemesis of Modernity
Oxford Art J 1996 19: 122-124; doi:10.1093/oxartj/19.2.122 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1996 19: 125; doi:10.1093/oxartj/19.2.125 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 1996 19: 126-127; doi:10.1093/oxartj/19.2.126 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 1996 19: 128; doi:10.1093/oxartj/19.2.128 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.