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Contents: Volume 19, Number 1, 1996   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

MARILYN MARTIN
The Rainbow Nation — Identity and Transformation
Oxford Art J 1996 19: 3-15; doi:10.1093/oxartj/19.1.3 [PDF] [Request Permissions]  

HUGH MARLES
Arrested Development: Race and Evolution in the Sculpture of Herbert Ward
Oxford Art J 1996 19: 16-28; doi:10.1093/oxartj/19.1.16 [PDF] [Request Permissions]  

CAROL MCKAY
‘Fearful Dunderheads’: Kandinsky and the Cultural Referents of Criminal Anthropology
Oxford Art J 1996 19: 29-41; doi:10.1093/oxartj/19.1.29 [PDF] [Request Permissions]  

ELIZABETH HARNEY
‘Les Chers Enfants’ sans Papa
Oxford Art J 1996 19: 42-52; doi:10.1093/oxartj/19.1.42 [PDF] [Request Permissions]  

S. KLOPPER
‘He is my king, but he is also my child’: Inkatha, the African National Congress and the Struggle for Control over Zulu Cultural Symbols
Oxford Art J 1996 19: 53-66; doi:10.1093/oxartj/19.1.53 [PDF] [Request Permissions]  

TANIA COSTA TRIBE
The Mulatto as Artist and Image in Colonial Brazil
Oxford Art J 1996 19: 67-79; doi:10.1093/oxartj/19.1.67 [PDF] [Request Permissions]  

ROBERT LINSLEY
Landscapes in Motion: Lawren Haris, Emily Carr and the Heterogenous Modern Nation
Oxford Art J 1996 19: 80-95; doi:10.1093/oxartj/19.1.80 [PDF] [Request Permissions]  

Reviews Back

AINSLIE T. EMBREE
Occidentalism in India
Oxford Art J 1996 19: 96-98; doi:10.1093/oxartj/19.1.96 [PDF] [Request Permissions]  

JOHN R. GOLD
Representation and Encounter: Remapping the Unfashionable
Oxford Art J 1996 19: 98-100; doi:10.1093/oxartj/19.1.98 [PDF] [Request Permissions]  

CHRISTY ANDERSON
Looking and Not Seeing
Oxford Art J 1996 19: 101-103; doi:10.1093/oxartj/19.1.101 [PDF] [Request Permissions]  

WENDY LEEKS
What's Love Got to do With it?
Oxford Art J 1996 19: 103-106; doi:10.1093/oxartj/19.1.103 [PDF] [Request Permissions]  

CAROL DUNCAN
Beginning with the Louvre
Oxford Art J 1996 19: 107-108; doi:10.1093/oxartj/19.1.107 [PDF] [Request Permissions]  

TAMAR GARB
Degas in the Dock
Oxford Art J 1996 19: 108-111; doi:10.1093/oxartj/19.1.108 [PDF] [Request Permissions]  

MICHAEL WHITE
Artist and Model
Oxford Art J 1996 19: 111-113; doi:10.1093/oxartj/19.1.111 [PDF] [Request Permissions]  

ANDREW HEMINGWAY
The Two Paths
Oxford Art J 1996 19: 113-121; doi:10.1093/oxartj/19.1.113 [PDF] [Request Permissions]  

GREG SHOLETTE
On The Ruins of Theory
Oxford Art J 1996 19: 121-124; doi:10.1093/oxartj/19.1.121 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1996 19: 125; doi:10.1093/oxartj/19.1.125 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 1996 19: 126; doi:10.1093/oxartj/19.1.126 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 1996 19: 127; doi:10.1093/oxartj/19.1.127 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.