Skip Navigation

Receive this page by email each issue: [Sign up for eTOCs]

Contents: Volume 18, Number 2, 1995   [Index by Author] 
Other Issues: Previous Next  

Down Articles
Down Reviews
Down Notes on Contributors
Down Notes for Contributors
Down Call for Papers


[Search ALL Issues]

Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

WHITNEY CHADWICK
Fetishizing Fashion/Fetishizing Culture: Man Ray's Noire et blanche
Oxford Art J 1995 18: 3-17; doi:10.1093/oxartj/18.2.3 [PDF] [Request Permissions]  

AMELIA JONES
‘Clothes Make the Man’: The Male Artist as a Performative Function
Oxford Art J 1995 18: 18-32; doi:10.1093/oxartj/18.2.18 [PDF] [Request Permissions]  

SUSAN FILLIN-YEH
Dandies, Marginality and Modernism: Georgia O'Keeffe, Marcel Duchamp and other Cross-dressers
Oxford Art J 1995 18: 33-44; doi:10.1093/oxartj/18.2.33 [PDF] [Request Permissions]  

MARY BERGSTEIN
The Artist in His Studio: Photography, Art, and the Masculine Mystique
Oxford Art J 1995 18: 45-58; doi:10.1093/oxartj/18.2.45 [PDF] [Request Permissions]  

LYNDA NEAD
Seductive Canvases: Visual Mythologies of the Artist and Artistic Creativity
Oxford Art J 1995 18: 59-69; doi:10.1093/oxartj/18.2.59 [PDF] [Request Permissions]  

RANDALL C. GRIFFIN
Thomas Eakins' Construction of the Male Body, or ‘Men Get to Know Each Other Across the Space of Time’
Oxford Art J 1995 18: 70-80; doi:10.1093/oxartj/18.2.70 [PDF] [Request Permissions]  

Reviews Back

MARGARET IVERSEN
Orthodox and Anamorphic Perspectives
Oxford Art J 1995 18: 81-84; doi:10.1093/oxartj/18.2.81 [PDF] [Request Permissions]  

HELEN HILLS
Anglo-Italian Attitudes
Oxford Art J 1995 18: 85-88; doi:10.1093/oxartj/18.2.85 [PDF] [Request Permissions]  

ALUN HOWKINS
‘Benevolent Improvement’
Oxford Art J 1995 18: 89-91; doi:10.1093/oxartj/18.2.89 [PDF] [Request Permissions]  

CHRISTIANA PAYNE
An Unstable Genre
Oxford Art J 1995 18: 91-93; doi:10.1093/oxartj/18.2.91 [PDF] [Request Permissions]  

ANGELA MILLER
‘Sermons in Paint’
Oxford Art J 1995 18: 93-96; doi:10.1093/oxartj/18.2.93 [PDF] [Request Permissions]  

KATHLEEN ADLER
The Magic of Impressionism
Oxford Art J 1995 18: 96-99; doi:10.1093/oxartj/18.2.96 [PDF] [Request Permissions]  

MALCOLM GEE
Of Sales and Secessions
Oxford Art J 1995 18: 99-101; doi:10.1093/oxartj/18.2.99 [PDF] [Request Permissions]  

STEPHEN CHAPLIN
Biography as History
Oxford Art J 1995 18: 101-103; doi:10.1093/oxartj/18.2.101 [PDF] [Request Permissions]  

ROGER GRIFFIN
Nazi Art: Romantic Twilight or (Post)modernist Dawn?
Oxford Art J 1995 18: 103-107; doi:10.1093/oxartj/18.2.103 [PDF] [Request Permissions]  

SHULAMITH BEHR
Redefining Modern Art Studies? The Class of ’93
Oxford Art J 1995 18: 107-109; doi:10.1093/oxartj/18.2.107 [PDF] [Request Permissions]  

NANCY JACHEC
Committed Practices: Intentionality, Radical Subjectivity, and the History of Art
Oxford Art J 1995 18: 110-112; doi:10.1093/oxartj/18.2.110 [PDF] [Request Permissions]  

BRIAN GROSSKURTH
Blinding Theory
Oxford Art J 1995 18: 112-115; doi:10.1093/oxartj/18.2.112 [PDF] [Request Permissions]  

LEWIS JOHNSON
Media Matter
Oxford Art J 1995 18: 116-119; doi:10.1093/oxartj/18.2.116 [PDF] [Request Permissions]  

KATY DEEPWELL
The Power of Feminism
Oxford Art J 1995 18: 119-122; doi:10.1093/oxartj/18.2.119 [PDF] [Request Permissions]  

Notes on Contributors Back

NOTES ON CONTRIBUTORS
Oxford Art J 1995 18: 123; doi:10.1093/oxartj/18.2.123 [PDF] [Request Permissions]  

Notes for Contributors Back

NOTES FOR CONTRIBUTORS
Oxford Art J 1995 18: 124; doi:10.1093/oxartj/18.2.124 [PDF] [Request Permissions]  

Call for Papers Back

CALL FOR PAPERS
Oxford Art J 1995 18: 125; doi:10.1093/oxartj/18.2.125 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.